• Agenda 21, The Plan To Kill You - David Icke

    World Tour Tickets - http://www.TheWorldWideWakeUp.com 2016/17 Agenda 21 or Agenda 2030 The Plan To Kill You - David Icke - The United Nations Depopulation Plan The global cabal of U.N. Agenda 21 is behind global warming, regionalism, zoning, land and water use control, wealth redistribution, weakening and eventual replacement of the dollar as the world’s reserve currency, global warming, cap and trade, Smart Grid, Smart Meters, carbon taxes, high gasoline prices, global citizens, IB World Schools, Common Core nationalized education standards, biofuels, Marxist advancement across the globe, food control, water access control via the Law of the Sea Treaty (LOST), gun control, health control, the Arab Spring/Winter, unchecked illegal immigration, and they are unstoppable.’ All David's B...

    published: 14 Aug 2016
  • There's No Heroes-Blood Will Have Blood

    Live At The Green Turtle in Whittier, CA. If some of you never heard these guys before, please check them out and support them. www.myspace.com/theresnoheroes

    published: 19 Sep 2009
  • TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017

    TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017 Subscribe for more: goo.gl/TKbw5g Page Facebook : https://www.facebook.com/Love-Music-458471444337909/ Tweet : https://twitter.com/HoabinhI ► Invite you to watch : ✔OPM Songs : https://www.youtube.com/watch?v=a4nqWE1txIw ►Thank you for watching the video do not forget to Like , Comment , Share and Subscribe to My Channel

    published: 18 Jul 2017
  • Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)

    Les nuits d'été (H. 81): I. Villanelle 00:00 II. Le spectre de la rose 02:09 III. Sur les lagunes 08:41 IV. Absence 14:43 V. Au cimitière 20:21 VI. L'île inconnue 25:51 Berlioz, Hector (1803-69) -composer Kiri Te Kanawa -soprano Daniel Barenboim -conductor Orchestre de Paris Scores: I. http://sausage.whatbox.ca:15263/imglnks/usimg/4/4f/IMSLP55645-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_I._Villanelle__orch._score_.pdf II. http://sausage.whatbox.ca:15263/imglnks/usimg/5/5e/IMSLP55646-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_II._Le_Spectre_de_la_Rose__orch._score_.pdf III. http://conquest.imslp.info/files/imglnks/usimg/c/c7/IMSLP55647-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_III._Sur_les_Lagunes__orch._score_.pdf IV. http://sausage.whatbox.ca:15263/imglnks/usimg/0/05/IMSLP55648-PMLP...

    published: 29 Mar 2014
  • Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)

    Giovanni Giacomo Gastoldi (ca. 1554 – 4 January 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. Balletti (1591) 1. L'Innamorato 2. Introduittione a 1 Balletti (1:23) 3. Il bell'humore (3:07) 4. L'Acceso (7:28) 5. Concerto de Pastori a 8 (12:32) 6. Il contento (15:01) 7. Amor vittorioso (17:37) 8. Il Piacere (20:38) 9. La Bellezza (22:58) 10. L'Ardito (27:45) 11. Gloria d'Amore (31:14) 12. Speme Amorosa (34:53) Ensemble Musique Ancienne de Lyon Instrumentations et Direction musicale: François Castet Ensemble Vocal de Lyon Direction: Guy Cornut His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contain...

    published: 04 Jan 2016
  • Sad, but Beautiful Music

    A sad, but very heart touching music! Subscribe: youtube.com/user/610fatima New Video every Friday, so check out! Read my blog: http://sadmusic1.blogspot.ca/2013/08/hello-everyone-this-is-just-very-quick.html Ending by: dreamscence.org

    published: 28 Aug 2013
  • Cantiones Natalitiæ - Dutch Christmas carols from the Southern Netherlands in the 17th century

    A new genre of polyphonic Christmas carols that developed in the Southern Netherlands during the seventeenth century was called cantiones natalitiæ. These were sacred songs in Dutch (Flemish) or Latin, in simple, strophic four-part settings with figured bass. The composers of early seventeenth-century cantiones natalitiae were local church musicians of Antwerp, Brussels, and Ghent. The carols, mostly based on pre-existing songs, were sung in connection with Christmastide devotional services, especially the evening Marian Salve service. The earliest Flemish carols were published in the Laudes vespertinæ of 1604 and 1609. The three selected Christmas songs were all published in Antwerp in the 17th century and are by Guilielmus Messaus (1589-1640), by an unknown composer and by Joannes Ber...

    published: 20 Nov 2010
  • Just intonation in the Renaissance

    For the footnotes and other extra information see the following link: http://tinyurl.com/hncqzcv http://www.earlymusicsources.com/home/more/youtube/justintonation Created by Elam Rotem, Oren Kirschenbaum and Johannes Keller http://www.earlymusicsources.com Audio, video and animations by Mel et Lac (http://www.meletlac.com) The sound samples were made using a special program developed by Johannes Keller (http://www.projektstudio31.com)

    published: 06 Oct 2016
  • Giulio Caccini - Amor, io parto - Montserrat Figueras

    High resolution and stereo sound: http://www.youtube.com/watch?v=ClXFHhaACgs&fmt=18 Giulio Caccini (1551--1618) Amor, io parto Madrigal for soprano voice, from "Le nuove musiche, 1601" set on an anonymous text In this recording: Montserrat Figueras, soprano Hopkinson Smith, baroque guitar Harmonia Mundi The score I used is from a facsimile copy of Caccini's Le Nuove Musiche, 1601. I didn't edit the score at all, except that I cleared the specks around it . Here and there, the text may not be so easy to read on the score. But, as always, I included the text in modern spelling and the translation. "Caccini's Le Nuove Musiche is a collection of works for solo voice and basso continuo. Caccini uses two distinct compositional styles in the collection: twelve "madrigals" -- through-compos...

    published: 11 Aug 2008
  • Unmasqued Promo

    This winter ICON presents Unmasqued, the most anticipated semi-formal of the season. On Dec. 23rd, be prepared to bring your best and dance the night away at Chivana Lounge, an ambient restaurant that'll keep your spirits chill and the party hot. Masks, the flashier the better, are encouraged! A live DJ will be spinning tracks all night, so don't miss this opportunity to dress snazzy, chill with friends, and party it up. Tickets are $30 for members, $35 for non-members and a THREE COURSE DINNER IS INCLUDED (your choice of chicken breast or salmon for entree). For those that went last year, we remembered the lack of food, this year will not disappoint. Space is limited, so be sure to get your tickets soon! To order tickets, contact us at info@icon-ubc.ca. Tickets can also be purchased...

    published: 20 Nov 2008
  • Karolina

    Karolina performs Tribal Fest 09 Saturday May 16th 2009 @ 1:12 Pm in Sebastopol Ca.

    published: 20 May 2009
  • Trip-Hop- Thievery Corporation - Until The Morning

    I keep on fear, keep on loathing Nothing brings it on I keep on falling Decide what it is I can not find It subsides what you make it Never feel like you're gonna break, ye It's gonna be alright alright Sleep until the morning comes The sun will warm your soul Sleep until the morning comes for you Til the morning it's alright I can walk into the sunlight, into the day, into the day, to the day I feel it falling, nothing comes to my mind Bring it on in a different tide I feel alright, alright I feel strong, i feel rigid It's nothing to do with the vision Oh feels so right, so right Sleep on tight, sleep on tight Sleep until the sunlight Sleep until sunlight Sleep on tight Sleep on tight Sleep on tight Sleep on tight, til the sunlight Sleep on tight, til the sunlight burns you happy Til the...

    published: 14 Jul 2012
  • Enemiga le soy madre (Cancionero de Palacio)

    Cancionero de Palacio "Enemiga le soy madre" Juan de Espinosa Enemiga le soy, madre, a aquel cavallero yo. ¡mal enemiga le soy! En mí contempla y adora como a Dios que l'es testigo. Él me tiene por señora, yo a él por enemigo. Dos mil vezes le maldigo por lo cual no mereçío. ¡Mal enemiga le soy! The early-16th-century manuscript Cancionero de Palacio is a true musical treasure trove: it contains some 450 songs from the Madrid court, dating from the 15th and early 16th century. Most of these were composed by Juan del Encina (1468-1530), even though he was not officially related to the court. Most pieces in the Cancionero belong to the villancico genre, a folksy refrain song that could take its subject matter from almost every aspect of life, among which love or the ...

    published: 22 May 2010
  • Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event

    On February 16 2014, P.S. Montreal and Cath.A.Strophic Productions held a model casting for the upcoming "Love the Skin You're In" Fashion show, to be held on April 26th 2014. Video by My 11.11 Productions (http://vimeo.com/user9827590 and https://www.facebook.com/pages/My-1111-Productions/121926871224698) Event details: https://www.facebook.com/events/1407674952822464/ Event tickets: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Special thank you to our judging panel and volunteers: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmed at Shift Space (http://www.shiftspace.ca/) ...

    published: 17 Mar 2014
  • tRip rAp

    mAkata,,,dAmsa,,,uNic0,,,anD sHock-giE

    published: 28 Aug 2008
  • Robert Pattinson Western comedy ' damsel ' to play in competition at the Berlin Film Festival

    (Strophic Productions) The Western comedy Damsel starring Robert Pattinson and Mia Wasikowska has been added to the competition lineup for this year’s... ------------------------------------ Welcome to Tv Show News channel. Subscribe to the channel at: http://bit.ly/2hv8QF8 . Videos at Tv Show News can use copyrighted content based on fair use law https://www.youtube.com/yt/copyright And https://en.Wikipedia.org/wiki/Fair_use

    published: 15 Jan 2018
  • Tomás de Torrejón y Velasco - La púrpura de la rosa (excerpt)

    Strophic dialogue: Y bien, ¿qué es lo qe adviertes? Chorus: Corred, corred, cristales

    published: 30 Dec 2015
  • Daniel Vagerstam Pase et medio Trip hop best music swedish folk ethnic etno new underground

    Traditional (1500?) author unknown, recorded in my living room :) by Daniel Vagerstam Mastered by fredde basso Mastered by David herdies

    published: 03 Jul 2009
  • KUNDIMAN CLASSIC SONGS : Filipino Music

    You may want to SUBSCRIBE for new upload alerts. Please visit http://opmclassics.blogspot.com/ for more OPM Classic Music. Thank you!

    published: 15 Jul 2014
  • Udite, udite amanti

    Strophic canzonetta

    published: 07 Nov 2012
  • "Amor Vittorioso" for Flute & Strings

    Giovanni Giacomo Gastoldi (ca. 1554 – 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. He was born at Caravaggio, Lombardy. In 1592 he succeeded Giaches de Wert as choirmaster at Santa Barbara's, and served until 1605 under the Dukes Guglielmo and Vincenzo Gonzaga. According to Filippo Lomazzo, Gastoldi became choirmaster at the Duomo, Milan, afterwards, but other considerations seem to make this point doubtful. His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contained passages of nonsense syllables (e.g. "fa la la") which seemed to personify a type of lover and love-making. As a whole, Gastoldi's ball...

    published: 25 Oct 2017
  • [HD] Mr. 3 - Secret Garden [Trip-Hop Music]

    SoundCloud: http://soundcloud.com/mr-3 Facebook Page: http://www.facebook.com/pages/Mr-3/119018578129732 MySpace: www.myspace.com/3net

    published: 15 Nov 2009
  • Adrian Gagiu - Suite for violin and piano (3 of 6)

    https://store.cdbaby.com/cd/adriangagiu8 Transcription of the neo-romantic song cycle "Thoughts and Images" (2012), on poems by Eminescu. This third movement, strophic and almost minimalist, is based on the contemplative poem "Stars In the Sky" (lyrics, in Romanian, below). "Stelele-n cer Deasupra mărilor Ard depărtărilor Până ce pier. După un semn Clătind catargele, Tremură largele Vase de lemn; Niște cetăți Plutind pe marile Și mișcătoarele Pustietăți. Stol de cocori Apucă-ntinsele Și necuprinsele Drumuri de nori. Zboară ce pot Și-a lor întrecere, Vecinică trecere ­ Asta e tot... Floare de crâng, Astfel viețile Și tinerețile Trec și se stâng. Orice noroc Și-ntinde-aripele Gonit de clipele Stării pe loc. Până nu mor, Pleacă-te, înge...

    published: 02 Dec 2016
  • "Amor Vittorioso" for Flute & Strings

    Giovanni Giacomo Gastoldi (ca. 1554 – 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. He was born at Caravaggio, Lombardy. In 1592 he succeeded Giaches de Wert as choirmaster at Santa Barbara's, and served until 1605 under the Dukes Guglielmo and Vincenzo Gonzaga. According to Filippo Lomazzo, Gastoldi became choirmaster at the Duomo, Milan, afterwards, but other considerations seem to make this point doubtful. His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contained passages of nonsense syllables (e.g. "fa la la") which seemed to personify a type of lover and love-making. As a whole, Gastoldi's ball...

    published: 25 Oct 2017
developed with YouTube
Agenda 21, The Plan To Kill You -  David Icke
1:36:32

Agenda 21, The Plan To Kill You - David Icke

  • Order:
  • Duration: 1:36:32
  • Updated: 14 Aug 2016
  • views: 2413272
videos
World Tour Tickets - http://www.TheWorldWideWakeUp.com 2016/17 Agenda 21 or Agenda 2030 The Plan To Kill You - David Icke - The United Nations Depopulation Plan The global cabal of U.N. Agenda 21 is behind global warming, regionalism, zoning, land and water use control, wealth redistribution, weakening and eventual replacement of the dollar as the world’s reserve currency, global warming, cap and trade, Smart Grid, Smart Meters, carbon taxes, high gasoline prices, global citizens, IB World Schools, Common Core nationalized education standards, biofuels, Marxist advancement across the globe, food control, water access control via the Law of the Sea Treaty (LOST), gun control, health control, the Arab Spring/Winter, unchecked illegal immigration, and they are unstoppable.’ All David's Books Now Available Here http://www.DavidIckeStore.com Social Media https://www.facebook.com/davidicke/ https://twitter.com/davidicke To have David's Videocast sent to you in full every week, Click here http://www.davidicke.com/register http://www.DavidIckeStore.com All David's Books Now Available Here http://www.TheWorldWideWakeUp.com 2016/17 World Tour Tickets http://www.DavidIcke.com/headlines Latest News From David Icke http://www.UnreportedTruth.com - Videos, Articles and Social Media For The People By The People http://www.RichieAllen.co.uk - Europe's Number One Independent Radio Show Music - http://freemusicarchive.org/music/Kai_Engel/ICD-10/Kai_Engel_-_ICD-10_-_06_Oneiri
https://wn.com/Agenda_21,_The_Plan_To_Kill_You_David_Icke
There's No Heroes-Blood Will Have Blood
3:41

There's No Heroes-Blood Will Have Blood

  • Order:
  • Duration: 3:41
  • Updated: 19 Sep 2009
  • views: 4331
videos
Live At The Green Turtle in Whittier, CA. If some of you never heard these guys before, please check them out and support them. www.myspace.com/theresnoheroes
https://wn.com/There's_No_Heroes_Blood_Will_Have_Blood
TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017
1:57:02

TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017

  • Order:
  • Duration: 1:57:02
  • Updated: 18 Jul 2017
  • views: 184941
videos
TOP 100 OPM TAGALOG LOVE SONG OPM NON STOP PART 02 - OPM New Songs 2017 Subscribe for more: goo.gl/TKbw5g Page Facebook : https://www.facebook.com/Love-Music-458471444337909/ Tweet : https://twitter.com/HoabinhI ► Invite you to watch : ✔OPM Songs : https://www.youtube.com/watch?v=a4nqWE1txIw ►Thank you for watching the video do not forget to Like , Comment , Share and Subscribe to My Channel
https://wn.com/Top_100_Opm_Tagalog_Love_Song_Opm_Non_Stop_Part_02_Opm_New_Songs_2017
Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)
29:29

Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)

  • Order:
  • Duration: 29:29
  • Updated: 29 Mar 2014
  • views: 23472
videos
Les nuits d'été (H. 81): I. Villanelle 00:00 II. Le spectre de la rose 02:09 III. Sur les lagunes 08:41 IV. Absence 14:43 V. Au cimitière 20:21 VI. L'île inconnue 25:51 Berlioz, Hector (1803-69) -composer Kiri Te Kanawa -soprano Daniel Barenboim -conductor Orchestre de Paris Scores: I. http://sausage.whatbox.ca:15263/imglnks/usimg/4/4f/IMSLP55645-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_I._Villanelle__orch._score_.pdf II. http://sausage.whatbox.ca:15263/imglnks/usimg/5/5e/IMSLP55646-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_II._Le_Spectre_de_la_Rose__orch._score_.pdf III. http://conquest.imslp.info/files/imglnks/usimg/c/c7/IMSLP55647-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_III._Sur_les_Lagunes__orch._score_.pdf IV. http://sausage.whatbox.ca:15263/imglnks/usimg/0/05/IMSLP55648-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_IV._Absence__orch._score_.pdf V. http://javanese.imslp.info/files/imglnks/usimg/1/15/IMSLP55649-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_V._Au_Cimeti__re__orch._score_.pdf VI. http://conquest.imslp.info/files/imglnks/usimg/8/81/IMSLP55650-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_VI._L_Ile_inconnue__orch._score_.pdf Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ This is a cycle of six settings of poems written by Théophile Gautier. Though their subjects have little direct connection, each possesses the sultry, scented charm implied by Berlioz's title. The songs were composed in 1832 and published in 1841. Except for "Absence," which was orchestrated in 1843, the orchestral versions of the remaining songs were completed in 1856. Aside from their immediate appeal, they suggest that, before the rise of a new school of composers such as Fauré, Duparc, Debussy, and Ravel, Berlioz was reacting to a demand for songs of a distinctively French character, compared with the then-widely popular German lied. However, the American musicologist Alfred Einstein's assertion that Berlioz "sowed the seeds for the entire musical lyricism of the nineteenth century in the French language" is surely an exaggeration: he was too much an admirer of German music to do such a thing. Indeed, the first song "Villanelle" is almost strophic, only the third stanza showing any real harmonic or melodic changes in the vocal line, a device which makes it reminiscent of Schubert. Singers tend to pick and choose among the songs performed but, since all easily stand on their own merits, this does not matter a great deal. "Absence," a call for the return of the beloved, would, for example, make an impressive opening to the cycle. "Le spectre de la rose" (I am the ghost of the rose you wore at the ball) is operatic in character and avoids the obvious waltz rhythms used in the ballet music that was also inspired by this poem. "Sur la lagunes," a lament for a dead lover, was also set by Fauré under the title Chanson de pêcheur. Berlioz makes it into a barcarolle, with a flowing accompaniment and echoes of Spain and Italy. "Au cimetiere" (the churchyard where the beloved lies) is a lament, with the added dimension of modern-sounding semitone changes and enharmonic modulations - evidence of Berlioz's constant search for ways to distance himself from conventional tonality. The final song, "L'ile inconnue," a light serenade, (where will you go, fair one in my magic boat) is - apart from one rather awkward cadence just before the lady replies - similarly progressive in its tonality. The tenderly expressive qualities of these settings makes one wish that Berlioz had continued his dedication to French poetry. Source: http://www.allmusic.com/composition/les-nuits-d%C3%A9t%C3%A9-song-cycle-for-voice-piano-or-orchestra-h-81-op-7-mc0002360887 Buy the CD here: http://www.deccaclassics.com/en/cat/4109662
https://wn.com/Kiri_Te_Kanawa_The_Complete_Les_Nuits_D'Été_H._81_(Berlioz)
Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)
38:44

Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)

  • Order:
  • Duration: 38:44
  • Updated: 04 Jan 2016
  • views: 12781
videos
Giovanni Giacomo Gastoldi (ca. 1554 – 4 January 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. Balletti (1591) 1. L'Innamorato 2. Introduittione a 1 Balletti (1:23) 3. Il bell'humore (3:07) 4. L'Acceso (7:28) 5. Concerto de Pastori a 8 (12:32) 6. Il contento (15:01) 7. Amor vittorioso (17:37) 8. Il Piacere (20:38) 9. La Bellezza (22:58) 10. L'Ardito (27:45) 11. Gloria d'Amore (31:14) 12. Speme Amorosa (34:53) Ensemble Musique Ancienne de Lyon Instrumentations et Direction musicale: François Castet Ensemble Vocal de Lyon Direction: Guy Cornut His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contained passages of nonsense syllables (e.g. "fa la la") which seemed to personify a type of lover and love-making. As a whole, Gastoldi's balletti were a musical commedia dell'arte, and included the following compositions: Contento (The Lucky One), Premiato (The Winner), L'Inamorato (The Suitor), Piacere (Pleasure), La Bellezza (Beauty), Gloria d'Amore (Praise of Love), L'Acceso (The Ardent), Caccia d'Amore (Love-Chase), Il Martellato (The Disdained), Il Bell’humore (The Good Fellow), Amor Vittorioso (Love Victorious), and Speme Amorosa (Amorous Hope). His balleti music basically had a simple chordal texture, fast declamation and rhythmic accents at the expense of contrapuntal display, as is to be expected from their close relationship to dance music. Gastoldi's Balleti a Cinque Voci was published in Venice in 1591, and immediately became a "best seller." Within a short time, the collection was reprinted ten times, not only by their original publisher but also in other countries as well. Composers like Vecchi, Banchieri, Hassler, and Morley were greatly captivated by this musical creation (compare Morley's ballett Now is the Month of Maying for a clear example of Gastoldi's influence). It is certain that many frottole, villancicos, and chansons francaises were intimately related to dance, but it seems true that Gastoldi was the first scholarly author, presumably since the thirteenth century, to compose songs for dancing which were modeled on instrumental patterns, and were perfectly apt for instrumental performance alone. The title page of the balletti bestows the title "Maestro di Cappella del Serenissimo Signor Duca di Mantova" to Gastoldi. However, this has no slightest intention of masking sophistication behind the spontaneous naivete of Gastoldi's works, because the entire content is a collection of simplicty, healthy playfulness, communicative carefreeness, and gaiety. The common trait is, of course, the Fa-la refrain, (which incidentally became "lirum-lirum "in Gloria d’amore) with skipping rhythms, clear lines, and frank tonality. Gastoldi sought to vary his compositions from ballet to ballet by sometimes writing in triple time, in double or by the alternate use of major and minor. Otherwise, it cannot be said that he at all attempted a psychological differentiation between the several "characters" depicted.
https://wn.com/Giovanni_Gastoldi_Balletti_Per_Cantare,_Sonare_E_Ballare_(1591)
Sad, but Beautiful Music
1:45

Sad, but Beautiful Music

  • Order:
  • Duration: 1:45
  • Updated: 28 Aug 2013
  • views: 416
videos
A sad, but very heart touching music! Subscribe: youtube.com/user/610fatima New Video every Friday, so check out! Read my blog: http://sadmusic1.blogspot.ca/2013/08/hello-everyone-this-is-just-very-quick.html Ending by: dreamscence.org
https://wn.com/Sad,_But_Beautiful_Music
Cantiones Natalitiæ - Dutch Christmas carols from the Southern Netherlands in the 17th century
7:39

Cantiones Natalitiæ - Dutch Christmas carols from the Southern Netherlands in the 17th century

  • Order:
  • Duration: 7:39
  • Updated: 20 Nov 2010
  • views: 17974
videos
A new genre of polyphonic Christmas carols that developed in the Southern Netherlands during the seventeenth century was called cantiones natalitiæ. These were sacred songs in Dutch (Flemish) or Latin, in simple, strophic four-part settings with figured bass. The composers of early seventeenth-century cantiones natalitiae were local church musicians of Antwerp, Brussels, and Ghent. The carols, mostly based on pre-existing songs, were sung in connection with Christmastide devotional services, especially the evening Marian Salve service. The earliest Flemish carols were published in the Laudes vespertinæ of 1604 and 1609. The three selected Christmas songs were all published in Antwerp in the 17th century and are by Guilielmus Messaus (1589-1640), by an unknown composer and by Joannes Berckelaers (?Antwerpen ±1630-?Antwerpen ±1700). 1) Guilielmus Messaus, Lof sy dat soete kindeken cleyn (1629) (performed by Camerata Trajectina (http://www.camerata-trajectina.nl)) 2) Incognito, O herders al soetjens (1651) (see for lyrics and other songs to the same tune: http://www.dbnl.org/tekst/duys001oude03_01/duys001oude03_01_0021.php ) (performed by Early Music New York) 3) Joannes Berckelaers, Titer wat een goede maer (1667) (see for lyrics: http://books.google.be/books?id=QzLaAAAAMAAJ&q=%22Titer+wat+een+goede+maer%22&dq=%22Titer+wat+een+goede+maer%22&hl=nl&ei=rf_nTJ7RBcGVOvGc7dQK&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCgQ6AEwAA) (performed by Guy de Mey and Knapenkoor in Dulce Jubilo) Images: 00:19 Portrait of Archduchess Isabella Clara Eugenia, Spanish Regent of the Low Countries from 1621 to 1633, as a Nun, 1625, by Peter Paul Rubens, Norton Simon Art Foundation 00:44 Adoration of the Magi, between 1618 and 1628 ?, by Peter Paul Rubens and his workshop (Anthony van Dyck?), Brussels, Museum of Fine Arts 01:10 Adoration of the Magi, 1624, by Peter Paul Rubens (and his workshop?), Antwerp, Royal Museum of Fine Arts 01:58 Archduke Leopold Wilhelm of Austria, the Governor of the Spanish Netherlands from 1647 to 1656, as marshal, 1652, by David Teniers the Younger, Vienna, Kunsthistorisches Museum 02:37 Brabant, Hainaut and Flanders honour the Virgin Mary, 1654, by Theodoor van Thulden, Vienna, Kunsthistorisches Museum 03:22 Adoration of the Shepherds, between 1630-1640?, by Theodoor van Loon, Paris, Louvre 04:00 Adoration of the Magi, by Theodoor van Loon, Vienna, Lichtenstein Museum 04:32 King Charles II of Spain, ruler of the Spanish Netherlands, as a child, 1666 (?), ascribed to David Teniers III, Brussels, Royal Museums of Fine Arts 05:10 Adoration of the Shepherds, by Jacob Jordaens, Athens, National Art Gallery 05:55 Adoration of the Magi, by Jacob Jordaens, Cherbourg, Musée Thomas Henry 06:36 Coronation of the Virgin Mary, 1630, by Cornelis Schut 07:07 The 1670 edition of the Cantiones natalitiæ by Johannes Berckelaers, published in Antwerp
https://wn.com/Cantiones_Natalitiæ_Dutch_Christmas_Carols_From_The_Southern_Netherlands_In_The_17Th_Century
Just intonation in the Renaissance
14:11

Just intonation in the Renaissance

  • Order:
  • Duration: 14:11
  • Updated: 06 Oct 2016
  • views: 34318
videos
For the footnotes and other extra information see the following link: http://tinyurl.com/hncqzcv http://www.earlymusicsources.com/home/more/youtube/justintonation Created by Elam Rotem, Oren Kirschenbaum and Johannes Keller http://www.earlymusicsources.com Audio, video and animations by Mel et Lac (http://www.meletlac.com) The sound samples were made using a special program developed by Johannes Keller (http://www.projektstudio31.com)
https://wn.com/Just_Intonation_In_The_Renaissance
Giulio Caccini - Amor, io parto - Montserrat Figueras
3:31

Giulio Caccini - Amor, io parto - Montserrat Figueras

  • Order:
  • Duration: 3:31
  • Updated: 11 Aug 2008
  • views: 83189
videos
High resolution and stereo sound: http://www.youtube.com/watch?v=ClXFHhaACgs&fmt=18 Giulio Caccini (1551--1618) Amor, io parto Madrigal for soprano voice, from "Le nuove musiche, 1601" set on an anonymous text In this recording: Montserrat Figueras, soprano Hopkinson Smith, baroque guitar Harmonia Mundi The score I used is from a facsimile copy of Caccini's Le Nuove Musiche, 1601. I didn't edit the score at all, except that I cleared the specks around it . Here and there, the text may not be so easy to read on the score. But, as always, I included the text in modern spelling and the translation. "Caccini's Le Nuove Musiche is a collection of works for solo voice and basso continuo. Caccini uses two distinct compositional styles in the collection: twelve "madrigals" -- through-composed, somewhat rhythmically-free compositions with rhapsodic passages designed to emphasise the important words in the text -- and ten "arias" which are shorter and usually strophic. ... The type of solo "madrigal" pioneered by Caccini is distinguished from the polyphonic madrigal which was the most popular form of secular composition during the late Renaissance." - Sheila Barnes "Madrigals are, according to Caccini's definition, through-composed one part pieces which are usually elaborately ornamented on non-strophic texts whose metric structure is irregular. ... One main theme dominates all of the poems upon which Caccini's Nuove Musiche is based: love. Two literary forms reflect the two aspects of love, the elegiac madrigal, in which the plaint of the hapless lover finds its expression, and the canzonetta, in which the joy of reciprocated love and the rapturous desire of the young lover is celebrated in many stanzas. In setting the madrigals Caccini chose a free recitative form, whereas the canzonette find their musical counterpart in rhythmically striking arie, which bear similarity to dance songs" - Silke Leopold "Among the notational innovations developed by Caccini was the specification and writing out of ornamentation. Previously, ornamentation had always been left to the discretion of the performers. In order to eliminate "excesses" on the part of singers (which presumably obscured the text), Caccini wrote out the music exactly as he wished it to be performed. He did, however, still allow for improvisation to emphasise significant words and cadences. The use of ornamentation was thus restricted to expressing the text, and was no longer an end in itself, as had been the case in earlier vocal practice. One type of ornamentation specified by Caccini, which may be less familiar to modern ears is the trillo: a kind of "tremolo" in which fluctuations of intensity are sounded like a reiteration of the note. Caccini includes the trillo in "the good manner of singing" as a thing written one way, but sung another way "for more grace" and "refinement" ("squisitezza"), qualities of which Castiglione would have approved." - Sheila Barnes Original text: Amor, io parto, e sento nel partire al penar, al morire, ch'io parto da colei ch'è la mia vita, se ben ella gioisce quand'il mio cor languisce. O durezza incredibil'e infinita d'anima che 'l suo core può restar morto, e non sentir dolore! Ben mi trafigge amore l'aspra mia pen', il mio dolor pungente, ma più mi duol il duol ch'ella non sente. Translation (by Flavio Ferri Benedetti): Love, I depart, and I feel while I part, while I suffer and while I die, that I part from her who is my life, although she rejoices when my heart languishes. O incredible, endless harshness of the soul: her heart can die without feeling pain! Love pierces well my bitter pain and my sharp grief, but even more painful is the grief that she does not feel.
https://wn.com/Giulio_Caccini_Amor,_Io_Parto_Montserrat_Figueras
Unmasqued Promo
0:59

Unmasqued Promo

  • Order:
  • Duration: 0:59
  • Updated: 20 Nov 2008
  • views: 249
videos
This winter ICON presents Unmasqued, the most anticipated semi-formal of the season. On Dec. 23rd, be prepared to bring your best and dance the night away at Chivana Lounge, an ambient restaurant that'll keep your spirits chill and the party hot. Masks, the flashier the better, are encouraged! A live DJ will be spinning tracks all night, so don't miss this opportunity to dress snazzy, chill with friends, and party it up. Tickets are $30 for members, $35 for non-members and a THREE COURSE DINNER IS INCLUDED (your choice of chicken breast or salmon for entree). For those that went last year, we remembered the lack of food, this year will not disappoint. Space is limited, so be sure to get your tickets soon! To order tickets, contact us at info@icon-ubc.ca. Tickets can also be purchased from ICON Directors:
https://wn.com/Unmasqued_Promo
Karolina
6:04

Karolina

  • Order:
  • Duration: 6:04
  • Updated: 20 May 2009
  • views: 2401
videos
Karolina performs Tribal Fest 09 Saturday May 16th 2009 @ 1:12 Pm in Sebastopol Ca.
https://wn.com/Karolina
Trip-Hop- Thievery Corporation - Until The Morning
3:59

Trip-Hop- Thievery Corporation - Until The Morning

  • Order:
  • Duration: 3:59
  • Updated: 14 Jul 2012
  • views: 4236
videos
I keep on fear, keep on loathing Nothing brings it on I keep on falling Decide what it is I can not find It subsides what you make it Never feel like you're gonna break, ye It's gonna be alright alright Sleep until the morning comes The sun will warm your soul Sleep until the morning comes for you Til the morning it's alright I can walk into the sunlight, into the day, into the day, to the day I feel it falling, nothing comes to my mind Bring it on in a different tide I feel alright, alright I feel strong, i feel rigid It's nothing to do with the vision Oh feels so right, so right Sleep on tight, sleep on tight Sleep until the sunlight Sleep until sunlight Sleep on tight Sleep on tight Sleep on tight Sleep on tight, til the sunlight Sleep on tight, til the sunlight burns you happy Til the sunlight burns you happy, till the sunlight burns a happy hole in Your heart, In your heart In your heart... Trip-Hop Music- Thievery Corporation - Until The Morning Trip-Hop Music- Thievery Corporation - Until The Morning Trip-Hop Music- Thievery Corporation - Until The Morning
https://wn.com/Trip_Hop_Thievery_Corporation_Until_The_Morning
Enemiga le soy madre (Cancionero de Palacio)
0:59

Enemiga le soy madre (Cancionero de Palacio)

  • Order:
  • Duration: 0:59
  • Updated: 22 May 2010
  • views: 3644
videos
Cancionero de Palacio "Enemiga le soy madre" Juan de Espinosa Enemiga le soy, madre, a aquel cavallero yo. ¡mal enemiga le soy! En mí contempla y adora como a Dios que l'es testigo. Él me tiene por señora, yo a él por enemigo. Dos mil vezes le maldigo por lo cual no mereçío. ¡Mal enemiga le soy! The early-16th-century manuscript Cancionero de Palacio is a true musical treasure trove: it contains some 450 songs from the Madrid court, dating from the 15th and early 16th century. Most of these were composed by Juan del Encina (1468-1530), even though he was not officially related to the court. Most pieces in the Cancionero belong to the villancico genre, a folksy refrain song that could take its subject matter from almost every aspect of life, among which love or the lack thereof obviously take first position. Also included are romances, longer strophic songs of a more serious character, like Ques de ti desconsolado, singing of the fall of Granada. Performers: Ensemble Gilles Binchois
https://wn.com/Enemiga_Le_Soy_Madre_(Cancionero_De_Palacio)
Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event
2:05

Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event

  • Order:
  • Duration: 2:05
  • Updated: 17 Mar 2014
  • views: 543
videos
On February 16 2014, P.S. Montreal and Cath.A.Strophic Productions held a model casting for the upcoming "Love the Skin You're In" Fashion show, to be held on April 26th 2014. Video by My 11.11 Productions (http://vimeo.com/user9827590 and https://www.facebook.com/pages/My-1111-Productions/121926871224698) Event details: https://www.facebook.com/events/1407674952822464/ Event tickets: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Special thank you to our judging panel and volunteers: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmed at Shift Space (http://www.shiftspace.ca/) ***** Le 16 Février 2014, P.S. Montréal et Cath.A.Strophic Productions ont tenu une casting de modèle pour la prochaine défilé de mode, "Love the Skin You're In" qui se tiendra le 26 Avril 2014. Vidéo par My 11.11 Productions (http://vimeo.com/user9827590 et https://www.facebook.com/pages/My-1111-Productions/121926871224698) Détails d'événement: https://www.facebook.com/events/1407674952822464/ Billets d'événement: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Merci spécial à notre panel de juges: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmé au Shift Space (http://www.shiftspace.ca/)
https://wn.com/Casting_Love_The_Skin_You're_In_Un_Evenement_De_Mode_Taille_Forte_A_Plus_Size_Fashion_Event
tRip rAp
3:08

tRip rAp

  • Order:
  • Duration: 3:08
  • Updated: 28 Aug 2008
  • views: 5275
videos
mAkata,,,dAmsa,,,uNic0,,,anD sHock-giE
https://wn.com/Trip_Rap
Robert Pattinson Western comedy ' damsel ' to play in competition at the Berlin Film Festival
2:03

Robert Pattinson Western comedy ' damsel ' to play in competition at the Berlin Film Festival

  • Order:
  • Duration: 2:03
  • Updated: 15 Jan 2018
  • views: 1240
videos
(Strophic Productions) The Western comedy Damsel starring Robert Pattinson and Mia Wasikowska has been added to the competition lineup for this year’s... ------------------------------------ Welcome to Tv Show News channel. Subscribe to the channel at: http://bit.ly/2hv8QF8 . Videos at Tv Show News can use copyrighted content based on fair use law https://www.youtube.com/yt/copyright And https://en.Wikipedia.org/wiki/Fair_use
https://wn.com/Robert_Pattinson_Western_Comedy_'_Damsel_'_To_Play_In_Competition_At_The_Berlin_Film_Festival
Tomás de Torrejón y Velasco - La púrpura de la rosa (excerpt)
4:41

Tomás de Torrejón y Velasco - La púrpura de la rosa (excerpt)

  • Order:
  • Duration: 4:41
  • Updated: 30 Dec 2015
  • views: 1274
videos
Strophic dialogue: Y bien, ¿qué es lo qe adviertes? Chorus: Corred, corred, cristales
https://wn.com/Tomás_De_Torrejón_Y_Velasco_La_Púrpura_De_La_Rosa_(Excerpt)
Daniel Vagerstam Pase et medio Trip hop best music swedish folk ethnic etno new underground
1:50

Daniel Vagerstam Pase et medio Trip hop best music swedish folk ethnic etno new underground

  • Order:
  • Duration: 1:50
  • Updated: 03 Jul 2009
  • views: 273
videos
Traditional (1500?) author unknown, recorded in my living room :) by Daniel Vagerstam Mastered by fredde basso Mastered by David herdies
https://wn.com/Daniel_Vagerstam_Pase_Et_Medio_Trip_Hop_Best_Music_Swedish_Folk_Ethnic_Etno_New_Underground
KUNDIMAN CLASSIC SONGS : Filipino Music
57:10

KUNDIMAN CLASSIC SONGS : Filipino Music

  • Order:
  • Duration: 57:10
  • Updated: 15 Jul 2014
  • views: 1692862
videos
You may want to SUBSCRIBE for new upload alerts. Please visit http://opmclassics.blogspot.com/ for more OPM Classic Music. Thank you!
https://wn.com/Kundiman_Classic_Songs_Filipino_Music
Udite, udite amanti
2:58

Udite, udite amanti

  • Order:
  • Duration: 2:58
  • Updated: 07 Nov 2012
  • views: 3651
videos
Strophic canzonetta
https://wn.com/Udite,_Udite_Amanti
"Amor Vittorioso" for Flute & Strings
1:24

"Amor Vittorioso" for Flute & Strings

  • Order:
  • Duration: 1:24
  • Updated: 25 Oct 2017
  • views: 34
videos
Giovanni Giacomo Gastoldi (ca. 1554 – 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. He was born at Caravaggio, Lombardy. In 1592 he succeeded Giaches de Wert as choirmaster at Santa Barbara's, and served until 1605 under the Dukes Guglielmo and Vincenzo Gonzaga. According to Filippo Lomazzo, Gastoldi became choirmaster at the Duomo, Milan, afterwards, but other considerations seem to make this point doubtful. His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contained passages of nonsense syllables (e.g. "fa la la") which seemed to personify a type of lover and love-making. As a whole, Gastoldi's balletti were a musical commedia dell'arte, and included the following compositions: Contento (The Lucky One), Premiato (The Winner), L'Inamorato (The Suitor), Piacere (Pleasure), La Bellezza (Beauty), Gloria d'Amore (Praise of Love), L'Acceso (The Ardent), Caccia d'Amore (Love-Chase), Il Martellato (The Disdained), Il Bell’humore (The Good Fellow), Amor Vittorioso (Love Victorious), and Speme Amorosa (Amorous Hope). His balleti music basically had a simple chordal texture, fast declamation and rhythmic accents at the expense of contrapuntal display, as is to be expected from their close relationship to dance music. Gastoldi's Balleti a Cinque Voci was published in Venice in 1591, and immediately became a "best seller." Within a short time, the collection was reprinted ten times, not only by their original publisher but also in other countries as well. Composers like Vecchi, Banchieri, Hassler, and Morley were greatly captivated by this musical creation (compare Morley's ballett Now is the Month of Maying for a clear example of Gastoldi's influence). It is certain that many frottole, villancicos, and chansons francaises were intimately related to dance, but it seems true that Gastoldi was the first scholarly author, presumably since the thirteenth century, to compose songs for dancing which were modeled on instrumental patterns, and were perfectly apt for instrumental performance alone. The title page of the balletti bestows the title "Maestro di Cappella del Serenissimo Signor Duca di Mantova" to Gastoldi. However, this has no slightest intention of masking sophistication behind the spontaneous naivete of Gastoldi's works, because the entire content is a collection of simplicty, healthy playfulness, communicative carefreeness, and gaiety. The common trait is, of course, the Fa-la refrain, (which incidentally became "lirum-lirum "in Gloria d’amore) with skipping rhythms, clear lines, and frank tonality. Gastoldi sought to vary his compositions from ballet to ballet by sometimes writing in triple time, in double or by the alternate use of major and minor. Otherwise, it cannot be said that he at all attempted a psychological differentiation between the several "characters" depicted. Source: Wikipedia (https://en.wikipedia.org/wiki/Giovanni_Giacomo_Gastoldi). "Amor Vittorioso" is from the Balleti a Cinque Voci (No. 10) and is set in 5 voices (SSATB). I created this arrangement for Flute and Strings (2 Violins, Viola & Cello). Sheet music made with MuseScore - https://musescore.com
https://wn.com/Amor_Vittorioso_For_Flute_Strings
[HD] Mr. 3 - Secret Garden [Trip-Hop Music]
2:02

[HD] Mr. 3 - Secret Garden [Trip-Hop Music]

  • Order:
  • Duration: 2:02
  • Updated: 15 Nov 2009
  • views: 1979
videos
SoundCloud: http://soundcloud.com/mr-3 Facebook Page: http://www.facebook.com/pages/Mr-3/119018578129732 MySpace: www.myspace.com/3net
https://wn.com/Hd_Mr._3_Secret_Garden_Trip_Hop_Music
Adrian Gagiu - Suite for violin and piano (3 of 6)
2:19

Adrian Gagiu - Suite for violin and piano (3 of 6)

  • Order:
  • Duration: 2:19
  • Updated: 02 Dec 2016
  • views: 21
videos
https://store.cdbaby.com/cd/adriangagiu8 Transcription of the neo-romantic song cycle "Thoughts and Images" (2012), on poems by Eminescu. This third movement, strophic and almost minimalist, is based on the contemplative poem "Stars In the Sky" (lyrics, in Romanian, below). "Stelele-n cer Deasupra mărilor Ard depărtărilor Până ce pier. După un semn Clătind catargele, Tremură largele Vase de lemn; Niște cetăți Plutind pe marile Și mișcătoarele Pustietăți. Stol de cocori Apucă-ntinsele Și necuprinsele Drumuri de nori. Zboară ce pot Și-a lor întrecere, Vecinică trecere ­ Asta e tot... Floare de crâng, Astfel viețile Și tinerețile Trec și se stâng. Orice noroc Și-ntinde-aripele Gonit de clipele Stării pe loc. Până nu mor, Pleacă-te, îngere, La trista-mi plângere Plină de-amor. Nu e păcat Ca să se lepede Clipa cea repede Ce ni s-a dat?"
https://wn.com/Adrian_Gagiu_Suite_For_Violin_And_Piano_(3_Of_6)
"Amor Vittorioso" for Flute & Strings
1:18

"Amor Vittorioso" for Flute & Strings

  • Order:
  • Duration: 1:18
  • Updated: 25 Oct 2017
  • views: 32
videos
Giovanni Giacomo Gastoldi (ca. 1554 – 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. He was born at Caravaggio, Lombardy. In 1592 he succeeded Giaches de Wert as choirmaster at Santa Barbara's, and served until 1605 under the Dukes Guglielmo and Vincenzo Gonzaga. According to Filippo Lomazzo, Gastoldi became choirmaster at the Duomo, Milan, afterwards, but other considerations seem to make this point doubtful. His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contained passages of nonsense syllables (e.g. "fa la la") which seemed to personify a type of lover and love-making. As a whole, Gastoldi's balletti were a musical commedia dell'arte, and included the following compositions: Contento (The Lucky One), Premiato (The Winner), L'Inamorato (The Suitor), Piacere (Pleasure), La Bellezza (Beauty), Gloria d'Amore (Praise of Love), L'Acceso (The Ardent), Caccia d'Amore (Love-Chase), Il Martellato (The Disdained), Il Bell’humore (The Good Fellow), Amor Vittorioso (Love Victorious), and Speme Amorosa (Amorous Hope). His balleti music basically had a simple chordal texture, fast declamation and rhythmic accents at the expense of contrapuntal display, as is to be expected from their close relationship to dance music. Gastoldi's Balleti a Cinque Voci was published in Venice in 1591, and immediately became a "best seller." Within a short time, the collection was reprinted ten times, not only by their original publisher but also in other countries as well. Composers like Vecchi, Banchieri, Hassler, and Morley were greatly captivated by this musical creation (compare Morley's ballett Now is the Month of Maying for a clear example of Gastoldi's influence). It is certain that many frottole, villancicos, and chansons francaises were intimately related to dance, but it seems true that Gastoldi was the first scholarly author, presumably since the thirteenth century, to compose songs for dancing which were modeled on instrumental patterns, and were perfectly apt for instrumental performance alone. The title page of the balletti bestows the title "Maestro di Cappella del Serenissimo Signor Duca di Mantova" to Gastoldi. However, this has no slightest intention of masking sophistication behind the spontaneous naivete of Gastoldi's works, because the entire content is a collection of simplicty, healthy playfulness, communicative carefreeness, and gaiety. The common trait is, of course, the Fa-la refrain, (which incidentally became "lirum-lirum "in Gloria d’amore) with skipping rhythms, clear lines, and frank tonality. Gastoldi sought to vary his compositions from ballet to ballet by sometimes writing in triple time, in double or by the alternate use of major and minor. Otherwise, it cannot be said that he at all attempted a psychological differentiation between the several "characters" depicted. Source: Wikipedia (https://en.wikipedia.org/wiki/Giovanni_Giacomo_Gastoldi). "Amor Vittorioso" is from the Balleti a Cinque Voci (No. 10) and is set in 5 voices (SSATB). I created this arrangement for Flute and Strings (2 Violins, Viola & Cello).
https://wn.com/Amor_Vittorioso_For_Flute_Strings
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