• Johannes Brahms - Lullaby

    Johannes Brahms - Op.49 No.4 Wiegenlied / Lullaby (original composition)

    published: 12 Aug 2007
  • Giulio Caccini - Amor, io parto - Montserrat Figueras

    High resolution and stereo sound: http://www.youtube.com/watch?v=ClXFHhaACgs&fmt=18 Giulio Caccini (1551--1618) Amor, io parto Madrigal for soprano voice, from "Le nuove musiche, 1601" set on an anonymous text In this recording: Montserrat Figueras, soprano Hopkinson Smith, baroque guitar Harmonia Mundi The score I used is from a facsimile copy of Caccini's Le Nuove Musiche, 1601. I didn't edit the score at all, except that I cleared the specks around it . Here and there, the text may not be so easy to read on the score. But, as always, I included the text in modern spelling and the translation. "Caccini's Le Nuove Musiche is a collection of works for solo voice and basso continuo. Caccini uses two distinct compositional styles in the collection: twelve "madrigals" -- through-compos...

    published: 11 Aug 2008
  • How to Write Song Lyrics (Songwriting Tutorial)

    If you're writing music and you're like me, you're probably wanting to bang your head on a wall when it comes down to writing the lyrics for your song. My secret? Have a process to help you out go through it with as less pain as possible! In this video, I'm giving advice on how I write my song lyrics in my songwriting process, and give some tips to make sure you are able to brainstorm the best ideas out of yourself! Want to work with me? Contact me now! http://www.elvann.com RELATED VIDEOS: - 30 song ideas: https://youtu.be/in_QrRERZ6c - Why Inspiration is a Myth? https://youtu.be/tBdrfjks_PQ Music Credits: Rho Music https://www.youtube.com/watch?v=W0QsigvuD84 SCHEDULE - New videos every Saturday - Streaming on Twitch every Tuesday, Wednesday & Thursday @1PM EST. If you're not a...

    published: 18 Nov 2017
  • Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)

    Giovanni Giacomo Gastoldi (ca. 1554 – 4 January 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. Balletti (1591) 1. L'Innamorato 2. Introduittione a 1 Balletti (1:23) 3. Il bell'humore (3:07) 4. L'Acceso (7:28) 5. Concerto de Pastori a 8 (12:32) 6. Il contento (15:01) 7. Amor vittorioso (17:37) 8. Il Piacere (20:38) 9. La Bellezza (22:58) 10. L'Ardito (27:45) 11. Gloria d'Amore (31:14) 12. Speme Amorosa (34:53) Ensemble Musique Ancienne de Lyon Instrumentations et Direction musicale: François Castet Ensemble Vocal de Lyon Direction: Guy Cornut His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contain...

    published: 04 Jan 2016
  • Cantiones Natalitiæ - Dutch Christmas carols from the Southern Netherlands in the 17th century

    A new genre of polyphonic Christmas carols that developed in the Southern Netherlands during the seventeenth century was called cantiones natalitiæ. These were sacred songs in Dutch (Flemish) or Latin, in simple, strophic four-part settings with figured bass. The composers of early seventeenth-century cantiones natalitiae were local church musicians of Antwerp, Brussels, and Ghent. The carols, mostly based on pre-existing songs, were sung in connection with Christmastide devotional services, especially the evening Marian Salve service. The earliest Flemish carols were published in the Laudes vespertinæ of 1604 and 1609. The three selected Christmas songs were all published in Antwerp in the 17th century and are by Guilielmus Messaus (1589-1640), by an unknown composer and by Joannes Ber...

    published: 20 Nov 2010
  • Bejun Mehta: The complete "3 Shakespeare songs Op. 6" (Quilter)

    3 Shakespeare songs (Op. 6): I. Come away, death 00:00 II. O mistress mine 02:53 III. Blow, blow, thou winter wind 04:24 Quilter, Roger (1877-1953) -composer Bejun Mehta -countertenor Julius Drake -piano Playlist: "The art of British song: Elgar, Somervell, Williams, Finzi..": https://www.youtube.com/playlist?action_edit=1&list=PLdM8VSWYvcWG_X-lGBATHMoJTGPlAV1TQ Score: http://burrito.whatbox.ca:15263/imglnks/usimg/4/4c/IMSLP218532-SIBLEY1802.20489.bda5-39087013698479score.pdf Roger Quilter's first group of songs setting texts of Shakespeare, from 1905, was so successful that the composer was often (and with similiar success) to return to the Bard's work. Quilter was, of course, only one of the legion of composers who found inspiration in Shakespeare, but his sensitive, artistic setting...

    published: 30 Aug 2014
  • Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)

    Les nuits d'été (H. 81): I. Villanelle 00:00 II. Le spectre de la rose 02:09 III. Sur les lagunes 08:41 IV. Absence 14:43 V. Au cimitière 20:21 VI. L'île inconnue 25:51 Berlioz, Hector (1803-69) -composer Kiri Te Kanawa -soprano Daniel Barenboim -conductor Orchestre de Paris Scores: I. http://sausage.whatbox.ca:15263/imglnks/usimg/4/4f/IMSLP55645-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_I._Villanelle__orch._score_.pdf II. http://sausage.whatbox.ca:15263/imglnks/usimg/5/5e/IMSLP55646-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_II._Le_Spectre_de_la_Rose__orch._score_.pdf III. http://conquest.imslp.info/files/imglnks/usimg/c/c7/IMSLP55647-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_III._Sur_les_Lagunes__orch._score_.pdf IV. http://sausage.whatbox.ca:15263/imglnks/usimg/0/05/IMSLP55648-PMLP...

    published: 29 Mar 2014
  • Unmasqued Promo

    This winter ICON presents Unmasqued, the most anticipated semi-formal of the season. On Dec. 23rd, be prepared to bring your best and dance the night away at Chivana Lounge, an ambient restaurant that'll keep your spirits chill and the party hot. Masks, the flashier the better, are encouraged! A live DJ will be spinning tracks all night, so don't miss this opportunity to dress snazzy, chill with friends, and party it up. Tickets are $30 for members, $35 for non-members and a THREE COURSE DINNER IS INCLUDED (your choice of chicken breast or salmon for entree). For those that went last year, we remembered the lack of food, this year will not disappoint. Space is limited, so be sure to get your tickets soon! To order tickets, contact us at info@icon-ubc.ca. Tickets can also be purchased...

    published: 20 Nov 2008
  • Sad, but Beautiful Music

    A sad, but very heart touching music! Subscribe: youtube.com/user/610fatima New Video every Friday, so check out! Read my blog: http://sadmusic1.blogspot.ca/2013/08/hello-everyone-this-is-just-very-quick.html Ending by: dreamscence.org

    published: 28 Aug 2013
  • XV th century French Renaissance music - Gilles Binchois compilation mix

    Music of the french Renaissance by the composer Gilles Binchois , in a long play compilation mix of 24 songs ; playlist : Musique de la Renaissance française par le compositeur Gilles Binchois , dans un collage audio longue durée de 24 pièces ; liste de lecture : Gilles Binchois, also known as Gilles de Binche or Gilles de Bins (c. 1400 September 20, 1460), was a Franco-Flemish composer, one of the earliest members of the Burgundian School, and one of the three most famous composers of the early 15th century. While often ranked behind his contemporaries Guillaume Dufay and John Dunstaple, at least by contemporary scholars, his influence was arguably greater than either, since his works were cited, borrowed and used as source material more often than those by any other composer of the t...

    published: 05 Oct 2017
  • L'Euridice by Giulio Caccini

    Innsbrucker Festwochen der Alten Musik 2013 Euridice, Tragedia Silvia Frigato (soprano) Orfeo Furio Zanasi (baritone) Dafne, Proserpina Sara Mingardo (alto) Venere Monica Piccinini (soprano) Arcetro Giampaolo Fagotto (tenor) Plutone Antonio Abete (bass) Aminta, Tirsi Luca Dordolo (tenor) Caronte Mauro Borgioni (baritone) Radamanto Matteo Bellotto (bass) Choir and instrumental ensemble Concerto Italiano Musical director and harpsichord Rinaldo Alessandrini Stage director and costumes Hinrich Horstkotte Stage design Nicolas Bovey Composta in Musica in Stile Rappresentativo by Giulio Caccini (1551--1618) Libretto by Ottavio Rinuccini Thirst printed version: 1600 Premiere: 1602, Florence In an attempt to revive classical Greek tragedy, the opera genre came into being around...

    published: 23 Aug 2013
  • Rondo Form

    Using visual and motion elements to teach rondo form

    published: 06 Jan 2015
  • michael jackson rapp

    thanks for watching this video! subscribe and post comments if you like!! originaly made by us!!

    published: 15 Nov 2009
  • Responsorial song

    published: 12 Oct 2017
  • Basso Ostinato demo

    Early music performance "BASSO OSTINATO " An interactive early music project based on basso ostinato. Mystery, surprise, unexpectedness, a little shock, and all of that under the familiar clichés from old mafia films - these are the main ingredients of the performance, where the spectator becomes not only an observer but also a participant in the play. Director: Adrian Schvarzstein (Spain/Argentina) Music Director: Rūta Vosyliūtė (Lithuania) Choreographer: Jūratė Širvytė-Rukštelė (Lithuania) Soloists: Nerijus Masevičius (basso, Lithuania), Rūta Vosyliūtė (soprano, Lithuania) Music: Alina Rotaru (Cembalo, Germany / Romania), Darius Stabinskas (cello, Lithuania), Ieva Baublytė (recorder, gothic harp, Lithuania), Raimonds Melderis (violin , Latvia), Fernando Olivas (baroque guitar, theorba,...

    published: 23 Aug 2017
  • Montréal + Fashion Week 2016 clips

    Voici des images de la parade de mode qui a eu lieu le 20 mai 2016 lors de la première semaine de la mode taille plus de Montréal au Centre des Arts Crowley 5325 Avenue Crowley, Montréal. http://montrealplusfashionweek.com/ Les boutiques où l'on trouve ces vêtements: Robe de la marque i.b.b.i world https://ibbicollection.com/ Les collections Bella + http://www.bellaplus.ca/ Catapulp vêtements et accessoires modes http://catapulp-boutique.blogspot.ca/ Les poupounes de luxe http://lespoupounesdeluxe.com/ Pheline desing http://www.pheline.ca/ Penningtons http://www.penningtons.com/en/plus-size-lingerie Collection C-Straight https://www.facebook.com/Collection-Cstraight-143289859049906/ Sexy plus clothing http://sexyplusclothing.com/ La designer MPHILDOR http://www.mphildor.com/ ZA...

    published: 24 May 2016
  • Stable of Doom – Spooky Sights (Ep #2)

    What other terrifying creations exist in this horrible house? Created by Nick Lyons Animation Services, Post & Sound by http://www.littleblackstone.ca/ Follow #SpindoTV on Instgram! http://instagram.com/spindotv

    published: 29 Oct 2015
  • Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event

    On February 16 2014, P.S. Montreal and Cath.A.Strophic Productions held a model casting for the upcoming "Love the Skin You're In" Fashion show, to be held on April 26th 2014. Video by My 11.11 Productions (http://vimeo.com/user9827590 and https://www.facebook.com/pages/My-1111-Productions/121926871224698) Event details: https://www.facebook.com/events/1407674952822464/ Event tickets: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Special thank you to our judging panel and volunteers: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmed at Shift Space (http://www.shiftspace.ca/) ...

    published: 17 Mar 2014
  • Julian Kleiss plays "Rondo" and "Children Song"

    CalArts Guitar Concert 12/11/10 Julian Kleiss - Vox/Guitar Ben Shepherd - Bass Timmy Carr - Drums www.myspace.com/juliankleiss www.christopherhahnphoto.com

    published: 17 Dec 2010
  • Glencairn Museum's Two-Foot Tall Medieval Hymnal

    Glencairn Museum's collection includes a 157-folio book of plainchant made in 1556 in Spain, probably by the military monastic Order of Calatrava. Filed as 07.MS.778, the manuscript belonged to the theologian Theodore Pitcairn and the composer Richard Yardumian before being donated to the Museum's collection by Yardumian's widow Ruth. Measuring 75cm tall, it is mostly comprised of hymns (116 of them), as well as antiphons and responsories, settings of the invitatory psalm for Matins, and a Te Deum. The hymn Urbs Jerusalem beata (ff. 78v-79r) is sung as part of the Office of the Dedication of a church building. Hymns are strophic, and the music is only notated over the first verse, with the subsequent verses written out in paragraph form. This video includes images from the hymn being sung...

    published: 22 Jul 2016
  • Udite, udite amanti

    Strophic canzonetta

    published: 07 Nov 2012
  • Trip-Hop- Thievery Corporation - Until The Morning

    I keep on fear, keep on loathing Nothing brings it on I keep on falling Decide what it is I can not find It subsides what you make it Never feel like you're gonna break, ye It's gonna be alright alright Sleep until the morning comes The sun will warm your soul Sleep until the morning comes for you Til the morning it's alright I can walk into the sunlight, into the day, into the day, to the day I feel it falling, nothing comes to my mind Bring it on in a different tide I feel alright, alright I feel strong, i feel rigid It's nothing to do with the vision Oh feels so right, so right Sleep on tight, sleep on tight Sleep until the sunlight Sleep until sunlight Sleep on tight Sleep on tight Sleep on tight Sleep on tight, til the sunlight Sleep on tight, til the sunlight burns you happy Til the...

    published: 14 Jul 2012
  • TripHop Techno Mania

    Techno Music Productions AKA IceWizardy 949 Orange County,CA Beat Productions studio Hit me for $20 dollar exclusives or $5 single customized productions. You know what it is, hit up yo boy and subscr

    published: 20 Jul 2014
  • Robert Pattinson Western comedy ' damsel ' to play in competition at the Berlin Film Festival

    (Strophic Productions) The Western comedy Damsel starring Robert Pattinson and Mia Wasikowska has been added to the competition lineup for this year’s... ------------------------------------ Welcome to Tv Show News channel. Subscribe to the channel at: http://bit.ly/2hv8QF8 . Videos at Tv Show News can use copyrighted content based on fair use law https://www.youtube.com/yt/copyright And https://en.Wikipedia.org/wiki/Fair_use

    published: 15 Jan 2018
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Johannes Brahms - Lullaby

Johannes Brahms - Lullaby

  • Order:
  • Duration: 3:02
  • Updated: 12 Aug 2007
  • views: 8277864
videos
Johannes Brahms - Op.49 No.4 Wiegenlied / Lullaby (original composition)
https://wn.com/Johannes_Brahms_Lullaby
Giulio Caccini - Amor, io parto - Montserrat Figueras

Giulio Caccini - Amor, io parto - Montserrat Figueras

  • Order:
  • Duration: 3:31
  • Updated: 11 Aug 2008
  • views: 81081
videos
High resolution and stereo sound: http://www.youtube.com/watch?v=ClXFHhaACgs&fmt=18 Giulio Caccini (1551--1618) Amor, io parto Madrigal for soprano voice, from "Le nuove musiche, 1601" set on an anonymous text In this recording: Montserrat Figueras, soprano Hopkinson Smith, baroque guitar Harmonia Mundi The score I used is from a facsimile copy of Caccini's Le Nuove Musiche, 1601. I didn't edit the score at all, except that I cleared the specks around it . Here and there, the text may not be so easy to read on the score. But, as always, I included the text in modern spelling and the translation. "Caccini's Le Nuove Musiche is a collection of works for solo voice and basso continuo. Caccini uses two distinct compositional styles in the collection: twelve "madrigals" -- through-composed, somewhat rhythmically-free compositions with rhapsodic passages designed to emphasise the important words in the text -- and ten "arias" which are shorter and usually strophic. ... The type of solo "madrigal" pioneered by Caccini is distinguished from the polyphonic madrigal which was the most popular form of secular composition during the late Renaissance." - Sheila Barnes "Madrigals are, according to Caccini's definition, through-composed one part pieces which are usually elaborately ornamented on non-strophic texts whose metric structure is irregular. ... One main theme dominates all of the poems upon which Caccini's Nuove Musiche is based: love. Two literary forms reflect the two aspects of love, the elegiac madrigal, in which the plaint of the hapless lover finds its expression, and the canzonetta, in which the joy of reciprocated love and the rapturous desire of the young lover is celebrated in many stanzas. In setting the madrigals Caccini chose a free recitative form, whereas the canzonette find their musical counterpart in rhythmically striking arie, which bear similarity to dance songs" - Silke Leopold "Among the notational innovations developed by Caccini was the specification and writing out of ornamentation. Previously, ornamentation had always been left to the discretion of the performers. In order to eliminate "excesses" on the part of singers (which presumably obscured the text), Caccini wrote out the music exactly as he wished it to be performed. He did, however, still allow for improvisation to emphasise significant words and cadences. The use of ornamentation was thus restricted to expressing the text, and was no longer an end in itself, as had been the case in earlier vocal practice. One type of ornamentation specified by Caccini, which may be less familiar to modern ears is the trillo: a kind of "tremolo" in which fluctuations of intensity are sounded like a reiteration of the note. Caccini includes the trillo in "the good manner of singing" as a thing written one way, but sung another way "for more grace" and "refinement" ("squisitezza"), qualities of which Castiglione would have approved." - Sheila Barnes Original text: Amor, io parto, e sento nel partire al penar, al morire, ch'io parto da colei ch'è la mia vita, se ben ella gioisce quand'il mio cor languisce. O durezza incredibil'e infinita d'anima che 'l suo core può restar morto, e non sentir dolore! Ben mi trafigge amore l'aspra mia pen', il mio dolor pungente, ma più mi duol il duol ch'ella non sente. Translation (by Flavio Ferri Benedetti): Love, I depart, and I feel while I part, while I suffer and while I die, that I part from her who is my life, although she rejoices when my heart languishes. O incredible, endless harshness of the soul: her heart can die without feeling pain! Love pierces well my bitter pain and my sharp grief, but even more painful is the grief that she does not feel.
https://wn.com/Giulio_Caccini_Amor,_Io_Parto_Montserrat_Figueras
How to Write Song Lyrics (Songwriting Tutorial)

How to Write Song Lyrics (Songwriting Tutorial)

  • Order:
  • Duration: 11:33
  • Updated: 18 Nov 2017
  • views: 110
videos
If you're writing music and you're like me, you're probably wanting to bang your head on a wall when it comes down to writing the lyrics for your song. My secret? Have a process to help you out go through it with as less pain as possible! In this video, I'm giving advice on how I write my song lyrics in my songwriting process, and give some tips to make sure you are able to brainstorm the best ideas out of yourself! Want to work with me? Contact me now! http://www.elvann.com RELATED VIDEOS: - 30 song ideas: https://youtu.be/in_QrRERZ6c - Why Inspiration is a Myth? https://youtu.be/tBdrfjks_PQ Music Credits: Rho Music https://www.youtube.com/watch?v=W0QsigvuD84 SCHEDULE - New videos every Saturday - Streaming on Twitch every Tuesday, Wednesday & Thursday @1PM EST. If you're not already following me on Twitch, join me live there: http://twitch.tv/Elvann. I'll be happy to see your faces in the chat and answer some more questions from you. HOW TO SUPPORT MY WORK - Engage with my Youtube videos! (Comment, like & subscribe) - Sub to me on Twitch: http://twitch.tv/Elvann - Patreon: https://www.patreon.com/elvann - Buy some of my downloads I created on https://payhip.com/elvann - Get some harpy merch from my boutique: https://teespring.com/stores/elvannabendroth-3 - Use one of my amazon affiliate links while shopping: US: http://amzn.to/2tJA92I CA: http://amzn.to/2rTpHJw UK: http://amzn.to/2sW2pD1 DE: http://amzn.to/2rT3kE7 FIND ME THERE TOO Facebook: http://www.facebook.com/Elvann.Abendroth Twitter: http://www.twitter.com/ElvannAbendroth Instagram: http://instagram.com/Elvann.Abendroth Website: http://www.elvann.com Twitch: http://twitch.tv/Elvann Soundcloud: http://soundcloud.com/ElvannAbendroth
https://wn.com/How_To_Write_Song_Lyrics_(Songwriting_Tutorial)
Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)

Giovanni Gastoldi - Balletti per Cantare, Sonare e Ballare (1591)

  • Order:
  • Duration: 38:44
  • Updated: 04 Jan 2016
  • views: 11543
videos
Giovanni Giacomo Gastoldi (ca. 1554 – 4 January 1609), was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of balletti for five voices. Balletti (1591) 1. L'Innamorato 2. Introduittione a 1 Balletti (1:23) 3. Il bell'humore (3:07) 4. L'Acceso (7:28) 5. Concerto de Pastori a 8 (12:32) 6. Il contento (15:01) 7. Amor vittorioso (17:37) 8. Il Piacere (20:38) 9. La Bellezza (22:58) 10. L'Ardito (27:45) 11. Gloria d'Amore (31:14) 12. Speme Amorosa (34:53) Ensemble Musique Ancienne de Lyon Instrumentations et Direction musicale: François Castet Ensemble Vocal de Lyon Direction: Guy Cornut His two sets of balletti, a strophic vocal dance, however, are the most prominent and influential. These were written for five voices, and contained passages of nonsense syllables (e.g. "fa la la") which seemed to personify a type of lover and love-making. As a whole, Gastoldi's balletti were a musical commedia dell'arte, and included the following compositions: Contento (The Lucky One), Premiato (The Winner), L'Inamorato (The Suitor), Piacere (Pleasure), La Bellezza (Beauty), Gloria d'Amore (Praise of Love), L'Acceso (The Ardent), Caccia d'Amore (Love-Chase), Il Martellato (The Disdained), Il Bell’humore (The Good Fellow), Amor Vittorioso (Love Victorious), and Speme Amorosa (Amorous Hope). His balleti music basically had a simple chordal texture, fast declamation and rhythmic accents at the expense of contrapuntal display, as is to be expected from their close relationship to dance music. Gastoldi's Balleti a Cinque Voci was published in Venice in 1591, and immediately became a "best seller." Within a short time, the collection was reprinted ten times, not only by their original publisher but also in other countries as well. Composers like Vecchi, Banchieri, Hassler, and Morley were greatly captivated by this musical creation (compare Morley's ballett Now is the Month of Maying for a clear example of Gastoldi's influence). It is certain that many frottole, villancicos, and chansons francaises were intimately related to dance, but it seems true that Gastoldi was the first scholarly author, presumably since the thirteenth century, to compose songs for dancing which were modeled on instrumental patterns, and were perfectly apt for instrumental performance alone. The title page of the balletti bestows the title "Maestro di Cappella del Serenissimo Signor Duca di Mantova" to Gastoldi. However, this has no slightest intention of masking sophistication behind the spontaneous naivete of Gastoldi's works, because the entire content is a collection of simplicty, healthy playfulness, communicative carefreeness, and gaiety. The common trait is, of course, the Fa-la refrain, (which incidentally became "lirum-lirum "in Gloria d’amore) with skipping rhythms, clear lines, and frank tonality. Gastoldi sought to vary his compositions from ballet to ballet by sometimes writing in triple time, in double or by the alternate use of major and minor. Otherwise, it cannot be said that he at all attempted a psychological differentiation between the several "characters" depicted.
https://wn.com/Giovanni_Gastoldi_Balletti_Per_Cantare,_Sonare_E_Ballare_(1591)
Cantiones Natalitiæ - Dutch Christmas carols from the Southern Netherlands in the 17th century

Cantiones Natalitiæ - Dutch Christmas carols from the Southern Netherlands in the 17th century

  • Order:
  • Duration: 7:39
  • Updated: 20 Nov 2010
  • views: 17677
videos
A new genre of polyphonic Christmas carols that developed in the Southern Netherlands during the seventeenth century was called cantiones natalitiæ. These were sacred songs in Dutch (Flemish) or Latin, in simple, strophic four-part settings with figured bass. The composers of early seventeenth-century cantiones natalitiae were local church musicians of Antwerp, Brussels, and Ghent. The carols, mostly based on pre-existing songs, were sung in connection with Christmastide devotional services, especially the evening Marian Salve service. The earliest Flemish carols were published in the Laudes vespertinæ of 1604 and 1609. The three selected Christmas songs were all published in Antwerp in the 17th century and are by Guilielmus Messaus (1589-1640), by an unknown composer and by Joannes Berckelaers (?Antwerpen ±1630-?Antwerpen ±1700). 1) Guilielmus Messaus, Lof sy dat soete kindeken cleyn (1629) (performed by Camerata Trajectina (http://www.camerata-trajectina.nl)) 2) Incognito, O herders al soetjens (1651) (see for lyrics and other songs to the same tune: http://www.dbnl.org/tekst/duys001oude03_01/duys001oude03_01_0021.php ) (performed by Early Music New York) 3) Joannes Berckelaers, Titer wat een goede maer (1667) (see for lyrics: http://books.google.be/books?id=QzLaAAAAMAAJ&q=%22Titer+wat+een+goede+maer%22&dq=%22Titer+wat+een+goede+maer%22&hl=nl&ei=rf_nTJ7RBcGVOvGc7dQK&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCgQ6AEwAA) (performed by Guy de Mey and Knapenkoor in Dulce Jubilo) Images: 00:19 Portrait of Archduchess Isabella Clara Eugenia, Spanish Regent of the Low Countries from 1621 to 1633, as a Nun, 1625, by Peter Paul Rubens, Norton Simon Art Foundation 00:44 Adoration of the Magi, between 1618 and 1628 ?, by Peter Paul Rubens and his workshop (Anthony van Dyck?), Brussels, Museum of Fine Arts 01:10 Adoration of the Magi, 1624, by Peter Paul Rubens (and his workshop?), Antwerp, Royal Museum of Fine Arts 01:58 Archduke Leopold Wilhelm of Austria, the Governor of the Spanish Netherlands from 1647 to 1656, as marshal, 1652, by David Teniers the Younger, Vienna, Kunsthistorisches Museum 02:37 Brabant, Hainaut and Flanders honour the Virgin Mary, 1654, by Theodoor van Thulden, Vienna, Kunsthistorisches Museum 03:22 Adoration of the Shepherds, between 1630-1640?, by Theodoor van Loon, Paris, Louvre 04:00 Adoration of the Magi, by Theodoor van Loon, Vienna, Lichtenstein Museum 04:32 King Charles II of Spain, ruler of the Spanish Netherlands, as a child, 1666 (?), ascribed to David Teniers III, Brussels, Royal Museums of Fine Arts 05:10 Adoration of the Shepherds, by Jacob Jordaens, Athens, National Art Gallery 05:55 Adoration of the Magi, by Jacob Jordaens, Cherbourg, Musée Thomas Henry 06:36 Coronation of the Virgin Mary, 1630, by Cornelis Schut 07:07 The 1670 edition of the Cantiones natalitiæ by Johannes Berckelaers, published in Antwerp
https://wn.com/Cantiones_Natalitiæ_Dutch_Christmas_Carols_From_The_Southern_Netherlands_In_The_17Th_Century
Bejun Mehta: The complete "3 Shakespeare songs Op. 6" (Quilter)

Bejun Mehta: The complete "3 Shakespeare songs Op. 6" (Quilter)

  • Order:
  • Duration: 6:57
  • Updated: 30 Aug 2014
  • views: 5338
videos
3 Shakespeare songs (Op. 6): I. Come away, death 00:00 II. O mistress mine 02:53 III. Blow, blow, thou winter wind 04:24 Quilter, Roger (1877-1953) -composer Bejun Mehta -countertenor Julius Drake -piano Playlist: "The art of British song: Elgar, Somervell, Williams, Finzi..": https://www.youtube.com/playlist?action_edit=1&list=PLdM8VSWYvcWG_X-lGBATHMoJTGPlAV1TQ Score: http://burrito.whatbox.ca:15263/imglnks/usimg/4/4c/IMSLP218532-SIBLEY1802.20489.bda5-39087013698479score.pdf Roger Quilter's first group of songs setting texts of Shakespeare, from 1905, was so successful that the composer was often (and with similiar success) to return to the Bard's work. Quilter was, of course, only one of the legion of composers who found inspiration in Shakespeare, but his sensitive, artistic settings are a breed apart. The three songs of Op. 6 are among the best of English art songs from the early twentieth century. The first song, "Come away, Death," from Twelfth Night, achieves a state of melancholy but avoids depression, which is appropriate for its context in the play. Quilter uses melodic sequence and repetition in creating a highly singable melodic line. As often occurs in Quilter's songs, the second verse is varied in the accompaniment rather than the melody, and the piano wreathes arpeggiated triplets around the melodic line. "O Mistress mine," also from Twelfth Night, is a charmingly persuasive air notable for its consistently disjunct melodic line. Yet in Quilter's hands the intervals always make vocal sense. The accompaniment and vocal line coexist flirtatiously, echoing the ambiguous relationship of the singer and his intended: sometimes meeting up, and sometimes going separate ways. The final song, "Blow, blow, thou Winter Wind," is a fitting end to the set, combining elements of the previous two songs. The text, from As You Like It, combines a bitter verse with a less pessimistic refrain. Quilter sets the verse in minor and the refrain in the parallel major, resulting in an infusion of optimism. Two different time signatures also enhance the difference between the two sections, one funereal and one dancelike. The accompaniment, notably, is identical between the two stanzas. Each of the three songs, like so many of Quilter's others, are in a modified strophic form, with a single repetition. As a unit, they coexist remarkably well, for example in their tonal structure: the minor of the first gives way to its relative major in the second, and then returns to the minor for the third. Quilter orchestrated the three songs as well, for piano and strings, but much later, near the conclusion of his compositional career, in 1944 and 1945. Source: http://www.allmusic.com/composition/shakespeare-songs-3-for-voice-piano-or-orchestra-op-6-mc0002367727 Buy the CD here: http://www.amazon.com/Down-Salley-Gardens-Bejun-Mehta/dp/B00585QLZK/ref=sr_1_2?ie=UTF8&qid=1409409395&sr=8-2&keywords=bejun+mehta
https://wn.com/Bejun_Mehta_The_Complete_3_Shakespeare_Songs_Op._6_(Quilter)
Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)

Kiri Te Kanawa: The complete "Les nuits d'été H. 81" (Berlioz)

  • Order:
  • Duration: 29:29
  • Updated: 29 Mar 2014
  • views: 21071
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Les nuits d'été (H. 81): I. Villanelle 00:00 II. Le spectre de la rose 02:09 III. Sur les lagunes 08:41 IV. Absence 14:43 V. Au cimitière 20:21 VI. L'île inconnue 25:51 Berlioz, Hector (1803-69) -composer Kiri Te Kanawa -soprano Daniel Barenboim -conductor Orchestre de Paris Scores: I. http://sausage.whatbox.ca:15263/imglnks/usimg/4/4f/IMSLP55645-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_I._Villanelle__orch._score_.pdf II. http://sausage.whatbox.ca:15263/imglnks/usimg/5/5e/IMSLP55646-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_II._Le_Spectre_de_la_Rose__orch._score_.pdf III. http://conquest.imslp.info/files/imglnks/usimg/c/c7/IMSLP55647-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_III._Sur_les_Lagunes__orch._score_.pdf IV. http://sausage.whatbox.ca:15263/imglnks/usimg/0/05/IMSLP55648-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_IV._Absence__orch._score_.pdf V. http://javanese.imslp.info/files/imglnks/usimg/1/15/IMSLP55649-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_V._Au_Cimeti__re__orch._score_.pdf VI. http://conquest.imslp.info/files/imglnks/usimg/8/81/IMSLP55650-PMLP56273-Berlioz_-_Nuits_d___t____Op._7_-_VI._L_Ile_inconnue__orch._score_.pdf Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ This is a cycle of six settings of poems written by Théophile Gautier. Though their subjects have little direct connection, each possesses the sultry, scented charm implied by Berlioz's title. The songs were composed in 1832 and published in 1841. Except for "Absence," which was orchestrated in 1843, the orchestral versions of the remaining songs were completed in 1856. Aside from their immediate appeal, they suggest that, before the rise of a new school of composers such as Fauré, Duparc, Debussy, and Ravel, Berlioz was reacting to a demand for songs of a distinctively French character, compared with the then-widely popular German lied. However, the American musicologist Alfred Einstein's assertion that Berlioz "sowed the seeds for the entire musical lyricism of the nineteenth century in the French language" is surely an exaggeration: he was too much an admirer of German music to do such a thing. Indeed, the first song "Villanelle" is almost strophic, only the third stanza showing any real harmonic or melodic changes in the vocal line, a device which makes it reminiscent of Schubert. Singers tend to pick and choose among the songs performed but, since all easily stand on their own merits, this does not matter a great deal. "Absence," a call for the return of the beloved, would, for example, make an impressive opening to the cycle. "Le spectre de la rose" (I am the ghost of the rose you wore at the ball) is operatic in character and avoids the obvious waltz rhythms used in the ballet music that was also inspired by this poem. "Sur la lagunes," a lament for a dead lover, was also set by Fauré under the title Chanson de pêcheur. Berlioz makes it into a barcarolle, with a flowing accompaniment and echoes of Spain and Italy. "Au cimetiere" (the churchyard where the beloved lies) is a lament, with the added dimension of modern-sounding semitone changes and enharmonic modulations - evidence of Berlioz's constant search for ways to distance himself from conventional tonality. The final song, "L'ile inconnue," a light serenade, (where will you go, fair one in my magic boat) is - apart from one rather awkward cadence just before the lady replies - similarly progressive in its tonality. The tenderly expressive qualities of these settings makes one wish that Berlioz had continued his dedication to French poetry. Source: http://www.allmusic.com/composition/les-nuits-d%C3%A9t%C3%A9-song-cycle-for-voice-piano-or-orchestra-h-81-op-7-mc0002360887 Buy the CD here: http://www.deccaclassics.com/en/cat/4109662
https://wn.com/Kiri_Te_Kanawa_The_Complete_Les_Nuits_D'Été_H._81_(Berlioz)
Unmasqued Promo

Unmasqued Promo

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  • Duration: 0:59
  • Updated: 20 Nov 2008
  • views: 249
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This winter ICON presents Unmasqued, the most anticipated semi-formal of the season. On Dec. 23rd, be prepared to bring your best and dance the night away at Chivana Lounge, an ambient restaurant that'll keep your spirits chill and the party hot. Masks, the flashier the better, are encouraged! A live DJ will be spinning tracks all night, so don't miss this opportunity to dress snazzy, chill with friends, and party it up. Tickets are $30 for members, $35 for non-members and a THREE COURSE DINNER IS INCLUDED (your choice of chicken breast or salmon for entree). For those that went last year, we remembered the lack of food, this year will not disappoint. Space is limited, so be sure to get your tickets soon! To order tickets, contact us at info@icon-ubc.ca. Tickets can also be purchased from ICON Directors:
https://wn.com/Unmasqued_Promo
Sad, but Beautiful Music

Sad, but Beautiful Music

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  • Duration: 1:45
  • Updated: 28 Aug 2013
  • views: 388
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A sad, but very heart touching music! Subscribe: youtube.com/user/610fatima New Video every Friday, so check out! Read my blog: http://sadmusic1.blogspot.ca/2013/08/hello-everyone-this-is-just-very-quick.html Ending by: dreamscence.org
https://wn.com/Sad,_But_Beautiful_Music
XV th century French Renaissance music - Gilles Binchois compilation mix

XV th century French Renaissance music - Gilles Binchois compilation mix

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  • Duration: 1:41:13
  • Updated: 05 Oct 2017
  • views: 785
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Music of the french Renaissance by the composer Gilles Binchois , in a long play compilation mix of 24 songs ; playlist : Musique de la Renaissance française par le compositeur Gilles Binchois , dans un collage audio longue durée de 24 pièces ; liste de lecture : Gilles Binchois, also known as Gilles de Binche or Gilles de Bins (c. 1400 September 20, 1460), was a Franco-Flemish composer, one of the earliest members of the Burgundian School, and one of the three most famous composers of the early 15th century. While often ranked behind his contemporaries Guillaume Dufay and John Dunstaple, at least by contemporary scholars, his influence was arguably greater than either, since his works were cited, borrowed and used as source material more often than those by any other composer of the time. Binchois is often considered to be the finest melodist of the 15th century, writing carefully shaped lines which are easy to sing, and utterly memorable. His tunes appeared in copies decades after his death, and were often used as sources for mass composition by later composers. Most of his music, even his sacred music, is simple and clear in outline, sometimes even ascetic; a greater contrast between Binchois and the extreme complexity of the ars subtilior of the previous century would be hard to imagine. Most of his secular songs are rondeaux, which became the most common song form during the century. Binchois, however, rarely wrote in strophic form, but instead shaped his melody independently of the verse's rhyme scheme. G. Binchois - Files a marier 1:52 0 2 G. Binchois - Mon cuer chante 2:35 0 1 G. Binchois - Joyeux penser 2:05 0 1 G. Binchois - Jamais Cant 2:20 0 1 G. Binchois - Amoreux suy 3:49 0 G. Binchois - Amours mercy 3:53 0 G. Binchois- Triste plaisir et douloureuse joye 4:35 0 1 G. Binchois - De plus en plus 4:37 0 G. Binchois - Dueil angiosseus 2:43 0 G. Binchois- Les tres doulx yeux 5:22 0 G. Binchois - Vostre tres doulx regart 4:03 0 G. Binchois - Se la belle 3:22 0 G. Binchois - Asperges me 3:07 0 G. Binchois- Je ne vis onques la pareille 4:39 0 G. Binchois- Adieu ma tres belle maistresse 4:04 0 G. Binchois - Adieu mon amoureuse joye - Pietrus Christus 6:53 0 G. Binchois - Adieu, adieu 5:33 0 G. Binchois - Missa Ferialis [part one] 2:57 0 G. Binchois - Missa Ferialis [part two] 3:51 0 G. Binchois - Missa Ferialis [part three] 2:46 0 G. Binchois - Missa Ferialis [part four] 4:09 0 G. Binchois - Gloria, laus et honor 6:03 0 G. Binchois - Magnificat 7:31 0 G. Binchois - Adieu, jusque je vous revoye -Roger van der Weyden 8:20 0 2017 Ill rec compilations
https://wn.com/Xv_Th_Century_French_Renaissance_Music_Gilles_Binchois_Compilation_Mix
L'Euridice by Giulio Caccini

L'Euridice by Giulio Caccini

  • Order:
  • Duration: 4:02
  • Updated: 23 Aug 2013
  • views: 2135
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Innsbrucker Festwochen der Alten Musik 2013 Euridice, Tragedia Silvia Frigato (soprano) Orfeo Furio Zanasi (baritone) Dafne, Proserpina Sara Mingardo (alto) Venere Monica Piccinini (soprano) Arcetro Giampaolo Fagotto (tenor) Plutone Antonio Abete (bass) Aminta, Tirsi Luca Dordolo (tenor) Caronte Mauro Borgioni (baritone) Radamanto Matteo Bellotto (bass) Choir and instrumental ensemble Concerto Italiano Musical director and harpsichord Rinaldo Alessandrini Stage director and costumes Hinrich Horstkotte Stage design Nicolas Bovey Composta in Musica in Stile Rappresentativo by Giulio Caccini (1551--1618) Libretto by Ottavio Rinuccini Thirst printed version: 1600 Premiere: 1602, Florence In an attempt to revive classical Greek tragedy, the opera genre came into being around 1600 in the Florentine Camerata. Some of the recitative singing in Caccini's "L'Euridice", the first opera ever to be printed, merged into early little arias. The then common practice of polyphonic madrigals continued in scenes with strophic choruses. The pioneering work will be brought to life by Rinaldo Alessandrini and his Concerto Italiano in Innsbruck.
https://wn.com/L'Euridice_By_Giulio_Caccini
Rondo Form

Rondo Form

  • Order:
  • Duration: 8:27
  • Updated: 06 Jan 2015
  • views: 60
videos
Using visual and motion elements to teach rondo form
https://wn.com/Rondo_Form
michael jackson rapp

michael jackson rapp

  • Order:
  • Duration: 1:09
  • Updated: 15 Nov 2009
  • views: 450
videos
thanks for watching this video! subscribe and post comments if you like!! originaly made by us!!
https://wn.com/Michael_Jackson_Rapp
Responsorial song

Responsorial song

  • Order:
  • Duration: 1:08
  • Updated: 12 Oct 2017
  • views: 15
videos
https://wn.com/Responsorial_Song
Basso Ostinato demo

Basso Ostinato demo

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  • Duration: 1:03
  • Updated: 23 Aug 2017
  • views: 252
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Early music performance "BASSO OSTINATO " An interactive early music project based on basso ostinato. Mystery, surprise, unexpectedness, a little shock, and all of that under the familiar clichés from old mafia films - these are the main ingredients of the performance, where the spectator becomes not only an observer but also a participant in the play. Director: Adrian Schvarzstein (Spain/Argentina) Music Director: Rūta Vosyliūtė (Lithuania) Choreographer: Jūratė Širvytė-Rukštelė (Lithuania) Soloists: Nerijus Masevičius (basso, Lithuania), Rūta Vosyliūtė (soprano, Lithuania) Music: Alina Rotaru (Cembalo, Germany / Romania), Darius Stabinskas (cello, Lithuania), Ieva Baublytė (recorder, gothic harp, Lithuania), Raimonds Melderis (violin , Latvia), Fernando Olivas (baroque guitar, theorba, Germany / Mexico) Actors: Adrian Schvarzstein (Spain/Argentina), Jūratė Širvytė-Rukštelė (Lithuania) Costume designer: Daiva Petrulytė (Lithuania) Lights designer: Audrius Jankauskas (Lithuania) Scenographer: Marius Puskunigis (Lithuania) © Senųjų menų studija Lithuanian Culture Council, Ministry of Culture of Lithuania, Department of Cultural Heritage
https://wn.com/Basso_Ostinato_Demo
Montréal + Fashion Week 2016 clips

Montréal + Fashion Week 2016 clips

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  • Duration: 4:09
  • Updated: 24 May 2016
  • views: 30619
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Voici des images de la parade de mode qui a eu lieu le 20 mai 2016 lors de la première semaine de la mode taille plus de Montréal au Centre des Arts Crowley 5325 Avenue Crowley, Montréal. http://montrealplusfashionweek.com/ Les boutiques où l'on trouve ces vêtements: Robe de la marque i.b.b.i world https://ibbicollection.com/ Les collections Bella + http://www.bellaplus.ca/ Catapulp vêtements et accessoires modes http://catapulp-boutique.blogspot.ca/ Les poupounes de luxe http://lespoupounesdeluxe.com/ Pheline desing http://www.pheline.ca/ Penningtons http://www.penningtons.com/en/plus-size-lingerie Collection C-Straight https://www.facebook.com/Collection-Cstraight-143289859049906/ Sexy plus clothing http://sexyplusclothing.com/ La designer MPHILDOR http://www.mphildor.com/ ZAAN http://www.zaan.ca/ Nahe Color Design https://www.facebook.com/nahecolor/ Oui je le voeux http://www.ouijelevoeux.com/ Mon photos reportage: http://www.missplump.net/affection/potin/smodemtl1.htm
https://wn.com/Montréal_Fashion_Week_2016_Clips
Stable of Doom – Spooky Sights (Ep #2)

Stable of Doom – Spooky Sights (Ep #2)

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  • Duration: 2:26
  • Updated: 29 Oct 2015
  • views: 24452
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What other terrifying creations exist in this horrible house? Created by Nick Lyons Animation Services, Post & Sound by http://www.littleblackstone.ca/ Follow #SpindoTV on Instgram! http://instagram.com/spindotv
https://wn.com/Stable_Of_Doom_–_Spooky_Sights_(Ep_2)
Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event

Casting - "Love the Skin You're In" Un Evenement de Mode Taille Forte - A Plus Size Fashion Event

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  • Duration: 2:05
  • Updated: 17 Mar 2014
  • views: 534
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On February 16 2014, P.S. Montreal and Cath.A.Strophic Productions held a model casting for the upcoming "Love the Skin You're In" Fashion show, to be held on April 26th 2014. Video by My 11.11 Productions (http://vimeo.com/user9827590 and https://www.facebook.com/pages/My-1111-Productions/121926871224698) Event details: https://www.facebook.com/events/1407674952822464/ Event tickets: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Special thank you to our judging panel and volunteers: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmed at Shift Space (http://www.shiftspace.ca/) ***** Le 16 Février 2014, P.S. Montréal et Cath.A.Strophic Productions ont tenu une casting de modèle pour la prochaine défilé de mode, "Love the Skin You're In" qui se tiendra le 26 Avril 2014. Vidéo par My 11.11 Productions (http://vimeo.com/user9827590 et https://www.facebook.com/pages/My-1111-Productions/121926871224698) Détails d'événement: https://www.facebook.com/events/1407674952822464/ Billets d'événement: http://www.clubsoda.ca/en/spec-love_the_skin_youre_in-1094.php Merci spécial à notre panel de juges: Cath.A.Strophic Productions, Yael Perez / Miss Meow - Model and Entertainer, Andrea Hausmann Photography, Sonia Levesque Design, Evanescent Twin, The Models' Coach - Naïad International, Sylvain Bergeron, Mitzi Perez and Adam Geraldi Filmé au Shift Space (http://www.shiftspace.ca/)
https://wn.com/Casting_Love_The_Skin_You're_In_Un_Evenement_De_Mode_Taille_Forte_A_Plus_Size_Fashion_Event
Julian Kleiss plays "Rondo" and "Children Song"

Julian Kleiss plays "Rondo" and "Children Song"

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  • Duration: 5:08
  • Updated: 17 Dec 2010
  • views: 1269
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CalArts Guitar Concert 12/11/10 Julian Kleiss - Vox/Guitar Ben Shepherd - Bass Timmy Carr - Drums www.myspace.com/juliankleiss www.christopherhahnphoto.com
https://wn.com/Julian_Kleiss_Plays_Rondo_And_Children_Song
Glencairn Museum's Two-Foot Tall Medieval Hymnal

Glencairn Museum's Two-Foot Tall Medieval Hymnal

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  • Duration: 2:43
  • Updated: 22 Jul 2016
  • views: 362
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Glencairn Museum's collection includes a 157-folio book of plainchant made in 1556 in Spain, probably by the military monastic Order of Calatrava. Filed as 07.MS.778, the manuscript belonged to the theologian Theodore Pitcairn and the composer Richard Yardumian before being donated to the Museum's collection by Yardumian's widow Ruth. Measuring 75cm tall, it is mostly comprised of hymns (116 of them), as well as antiphons and responsories, settings of the invitatory psalm for Matins, and a Te Deum. The hymn Urbs Jerusalem beata (ff. 78v-79r) is sung as part of the Office of the Dedication of a church building. Hymns are strophic, and the music is only notated over the first verse, with the subsequent verses written out in paragraph form. This video includes images from the hymn being sung interspersed with illuminations and sample pages from elsewhere in the book. An article about the book by Dr. Graham Bier was published in Glencairn Museum News here: http://glencairnmuseum.org/newsletter/2016/7/27/glencairns-two-foot-tall-medieval-hymnal TEXT 7th-8th century hymn Urbs beata Jerusalem dicta pacis visio quae construitur in caelis Nivi ex lapidibus et angelis coronata ut sponsata comite. Nova veniens e coelo nuptiali thalamo. Praeparata, ut sponsata, copuletur Domino. Plateae et muri ejus ex auro purissimo. Portae nitent margaritis, adytis patentibus, et virtute meritorum Illuc introducitur omnis qui ob Christi nomen hic in mundo premitur. Tunsionibus, pressuris, Expoliti lapides, suis coaptantur locis, per manus artificis, Disponuntur permansuri, sacris aedificiis. Gloria et honor Deo Usquequo altissimo, Una patri filioque Inclyto paraclityo, Cui laus est et potestas Per aeterna saecula. Amen. TRANSLATION by John Mason Neale (1851) Blessèd city, heavenly Salem, vision dear of peace and love, who of living stones art builded in the height of heaven above, and with angel hosts encircled, as a bride dost earthward move! From celestial realms descending, bridal glory round thee shed, meet for him whose love espoused thee, to thy Lord shalt thou be led; all thy streets and all thy bulwarks of pure gold are fashioned. Bright thy gates of pearl are shining, they are open evermore; and by virtue of his merits thither faithful souls do soar, who for Christ's dear name in this world pain and tribulation bore. Many a blow and biting sculpture polished well those stones elect, in their places now compacted by the heavenly Architect, who therewith hath willed for ever that his palace should be decked. Laud and honor to the Father, laud and honor to the Son, laud and honor to the Spirit, ever Three, and ever One, consubstantial, co-eternal, while unending ages run. CREDITS Singing and audio recording by Graham Bier. Photography by Ed Gyllenhaal, Annika Gyllenhaal, and Frank Slezak. Video editing by Annika Gyllenhaal.
https://wn.com/Glencairn_Museum's_Two_Foot_Tall_Medieval_Hymnal
Udite, udite amanti

Udite, udite amanti

  • Order:
  • Duration: 2:58
  • Updated: 07 Nov 2012
  • views: 3492
videos
Strophic canzonetta
https://wn.com/Udite,_Udite_Amanti
Trip-Hop- Thievery Corporation - Until The Morning

Trip-Hop- Thievery Corporation - Until The Morning

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  • Duration: 3:59
  • Updated: 14 Jul 2012
  • views: 4187
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I keep on fear, keep on loathing Nothing brings it on I keep on falling Decide what it is I can not find It subsides what you make it Never feel like you're gonna break, ye It's gonna be alright alright Sleep until the morning comes The sun will warm your soul Sleep until the morning comes for you Til the morning it's alright I can walk into the sunlight, into the day, into the day, to the day I feel it falling, nothing comes to my mind Bring it on in a different tide I feel alright, alright I feel strong, i feel rigid It's nothing to do with the vision Oh feels so right, so right Sleep on tight, sleep on tight Sleep until the sunlight Sleep until sunlight Sleep on tight Sleep on tight Sleep on tight Sleep on tight, til the sunlight Sleep on tight, til the sunlight burns you happy Til the sunlight burns you happy, till the sunlight burns a happy hole in Your heart, In your heart In your heart... Trip-Hop Music- Thievery Corporation - Until The Morning Trip-Hop Music- Thievery Corporation - Until The Morning Trip-Hop Music- Thievery Corporation - Until The Morning
https://wn.com/Trip_Hop_Thievery_Corporation_Until_The_Morning
TripHop Techno Mania

TripHop Techno Mania

  • Order:
  • Duration: 6:58
  • Updated: 20 Jul 2014
  • views: 59
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Techno Music Productions AKA IceWizardy 949 Orange County,CA Beat Productions studio Hit me for $20 dollar exclusives or $5 single customized productions. You know what it is, hit up yo boy and subscr
https://wn.com/Triphop_Techno_Mania
Robert Pattinson Western comedy ' damsel ' to play in competition at the Berlin Film Festival

Robert Pattinson Western comedy ' damsel ' to play in competition at the Berlin Film Festival

  • Order:
  • Duration: 2:03
  • Updated: 15 Jan 2018
  • views: 999
videos
(Strophic Productions) The Western comedy Damsel starring Robert Pattinson and Mia Wasikowska has been added to the competition lineup for this year’s... ------------------------------------ Welcome to Tv Show News channel. Subscribe to the channel at: http://bit.ly/2hv8QF8 . Videos at Tv Show News can use copyrighted content based on fair use law https://www.youtube.com/yt/copyright And https://en.Wikipedia.org/wiki/Fair_use
https://wn.com/Robert_Pattinson_Western_Comedy_'_Damsel_'_To_Play_In_Competition_At_The_Berlin_Film_Festival
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